I will post about these in more comprehensive posts later on, but here’s a few basic thoughts on the 2016 Hugo winners (I’m proud I was able to read all of the winners before the ceremony).
The Fifth Season by N.K. Jemisin for best novel. This was one of the best fantasy books in a while. It’s set in a world with a giant continent that is wracked by natural disasters. Every hundred years or two, a big enough disaster occurs to set off decade-long storms, known as fifth seasons. Magicians have some power over stone but are feared for it. They are kept in check by a society as they learn to control their magical powers. There are three plot lines: a woman mourns the death of her son who her husband killed because he exhibited some magical powers. His wife never revealed to him that she also has control over magic. She sets out to get revenge and runs into some colorful companions. In another, a young girl with magic is found by a member of that society and taken to a school to train. In the last, and imo best, a young woman at the school is taken on a quest with a high level magic user to fix the stone in a city’s harbor. And while there, they find something completely unexpected…
I thought for sure Uprooted was going to win, but I’m really happy it didn’t. The characters there are flat, the magic system makes no sense (and the book hinges on it), and despite setting out to subvert cliches, it has tons of YA ones. And it already won the Nebula…ugh. The Fifth Season was definitely something special (and as an added bonus, Vox Day was kicked out of the SWFA for calling her a subhuman).
Binti by Nnedi Okorafor for best novella. This one was meh. A girl named Binti runs away from her home in order to attend a university on another planet. While in transit, they’re attacked by an alien race and she is left as the only human still alive. What starts as a survival story then quickly becomes a tale about differences in culture. The ending, though, is awful, to the point of ruining what came before it. Not surprised this won, as it was the only non-puppy choice here, but still.
Folding Beijing by Hao Jingfang, translated by Ken Liu. Surprisingly, this one was a rabid puppies pick, but it probably would’ve been nominated anyway. Looking at it from a political standpoint, I’m not really sure why they picked it. It’s set in a dystopian future. To avoid overpopulation issues in Beijing, the government has set up a folding system: for 24 hours, city 1, populated by the elite, goes about their days and then sleeps. During that period, the city literally folds up to reveal city 2, and then city 3. Lao Dao is a menial worker in city 3 who dreams of sending his daughter to a better school, but he doesn’t have the money. To finance this, he undertakes a quest to deliver a love letter from a man in city 2 to a woman in city 3. The punishment for being caught would be jail, or worse. The idea here was pretty interesting, but it would’ve been nice to get the characters more fleshed out. His daughter barely makes any appearances, and some of the city 1 characters feel tacked on. Over all, though, it deserves the win.
Cat Pictures Please by Naomi Kritzer for best short story. I already covered this in my post yesterday, but for those moaning about Chuck Tingle, he wound up placing third below no award.
For the full list of winners, see here: http://www.thehugoawards.org/