Not the definitive Modiano novel, but my library had it so I thought why not. This is Modiano, chronicler of the dark Occupation, reporter of the Holocaust, and speaker for those who no longer can, doing a children’s book. And it has nice, whimsical pictures, like something out of Roald Dahl. (Plus the short length doesn’t hurt!)
The story, if you can call it that, is about a grown ballet teacher reminiscing about her childhood in Paris, after her mother had immigrated to the US and it was just her and her father. Her father and his snobbish partner run a shady company that Catherine doesn’t know much about. All she knows is that various loose ends with it are the reason they can’t join her mother. So her days mostly consist of her going to school, going to her dance class, and doing homework in her father’s warehouse.
And, heads up, the rest of this review will have spoilers, as most of my problems with this book are there.
For fans of Modiano, this is a decent outing, with some memorable characters and scenes. However, in typical fashion, he answers very few if any of the questions he asks. This is less a narrative than a series of memories, few of which build on each other, and as a result, it’s missing something, some impetus to drive things along. There is hardly any conflict in the book. Sure, her and her dad want to go to America and Catherine would like to see her mother again, but so little of the mother is seen it takes a backseat to the relationship between Catherine and her father. And between them there is no conflict. At a party where her father is trying to make business contacts that he thinks will finally get them to America and fails, Catherine feels bad for him, but other than that, it’s smooth sailing between them.
Catherine herself does very little. She has her dance classes, and at one point she makes a friend who invites her and her father to the party mentioned above, but that whole arc just reads like it’s there to remind readers they want to leave France. The friend soon moves away, the people the father meets do not help them, and it is never mentioned again after. One day the father is suddenly free to leave and they then leave.
That’s it. Nothing is answered, which Modiano can pull off in his adult books, but here for a book meant for kids…well, I can’t see any kid being happy with this book. Even girls into ballet might find the dancing bits fun, but would definitely think the rest of the story an enigma. The lack of narrative-drive hurts it. Although the main conflict should be about them getting to America, it reads more like a meditation about her father’s mysterious job, but Catherine herself doesn’t actually dedicate too much time pondering over what it might be he does—it’s tough to imagine a child getting invested in this.
I’ll give this book two ratings. I’m not super well-versed in children’s lit, but I did spend a summer at a children’s fiction publishing firm, so this first rating is for kids. I really can’t see too many kids liking it for the story itself, although, again, those pictures are awesome. One star for kids.
As a fan of Modiano, I’ll be a bit more generous. It has all the hallmarks of his writing, and while they end up being much less satisfactory here than in his other books, it’s still decent fare. If you’re a fan of Modiano’s writing, it is worth a look. You can blaze through it in 45 minutes, so you’ll be done long before you decide you don’t like it. Three stars for fans.