A Young William Golding

As a wannabe writer, I find nothing as motivating as learning about famous writers when they were just starting out. What were they like before they were well known, before they knew they had made it?

Today, the focus is on William Golding, best known for LORD OF THE FLIES. The information comes from John Carey’s excellent biography, THE MAN WHO WROTE LORD OF THE FLIES. Though now viewed as something like a one trick pony, Golding wrote a number of other novels (many of them have fallen in stature since release, but in his lifetime later works such as DARKNESS VISIBLE and TO THE ENDS OF THE EARTH received wide acclaim), a couple nonfiction pieces, some plays, and exactly one collection of poems.

That collection, aptly but boringly entitled POEMS, came remarkably early in his career, with the book published when he was 23 and most of the content written during his college years. His next published work, LORD OF THE FLIES, would not be released until 20 years later.

What happened in the interim?

Golding was still writing, mentioning in a letter from the late 1930’s a novel he was at work on, though it is unknown if he ever finished the draft. Short stories and poems also flowed from his pen, but few if any were picked up.

Golding began to work on larger projects after the war. The first, SEAHORSE, was a nonfiction account of sailing while also training for D-Day. While his other nonfiction works are mostly collections of essays, lectures, or travelogues, this is a straight biographical account.

His next two would be novels, though still drawing on his life experience. CIRCLE UNDER THE SEA features sailing as a prominent theme in the story of a man trying to discover treasure on an island. And, although he wrote in the evenings, Golding needed a day job, settling on being a teacher. His next novel, SHORT MEASURE, is a drama set in an English boarding school, and was considered by publishing houses before ultimately getting rejected. None of them have been published, even posthumously.

For anyone doubting themselves, just remember, Golding wrote at minimum three and a half extended prose pieces, along with a good amount of poetry and miscellaneous works before his first novel hit the market. He was 43 years old. Whatever one thinks of Golding, whether he is a one trick pony or a stain on the Nobel (I disagree with both thoughts), it is impossible to deny that he let rejection halt his dreams.